u-he software Hive 2

 139,00

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Highlights:

Hive 2: Sleek, streamlined, supercharged Hive’s clear layout and easy workflow let you create stunning patches in next to no time at all. Although surprisingly CPU-friendly, Hive doesn’t sacrifice flexibility or audio quality. Now packed with more controls than ever, version 2 opens up new dimensions of expression… and sheer fun!

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Hive 2: Sleek, streamlined, supercharged

Hive’s clear layout and easy workflow let you create stunning patches in next to no time at all. Although surprisingly CPU-friendly, Hive doesn’t sacrifice flexibility or audio quality. Now packed with more controls than ever, version 2 opens up new dimensions of expression… and sheer fun!

Underneath its sleek exterior, Hive 2 lets you go as deep as you like. Add movement and life using the shape sequencer, or instantly record, rotate and arpeggiate note sequences. The 12-slot matrix even lets you modulate effect parameters, encouraging you to explore a whole new world of creative options. With its swappable audio engine, flexible signal routing, wavetable support and quality effects, Hive 2 makes sure you can get the sound you want with a minimum of fuss.

Hive 2 includes Wavetables! These appear as multiple waveforms, and are controlled in the central hexagon. You can manually select wavetables, modulate the wave position via the matrix, or even scan through them automatically using the envelope and loop options (which let you animate wavetables without the need for an extra modulation source).

This panel also offers a Reverse option to flip the wavetable back to front, Cyclic mode for seamless wavetable cycling, and various real-time interpolation methods.

Multi-Table: Wavetables can be split into multiple parts (up to 16), effectively creating a 2-dimensional oscillator. For instance, a wavetable with 30 frames can be split into 3 x 10 frames by setting Tables to 3. The lower Position knob will crossfade between those 3. This feature opens up a second dimension of wavetable scanning, such as velocity crossfade or multisample support.

UHM scripting: Want to go even deeper? Many of Hive’s factory wavetables are not samples, but “.uhm” files containing scripts written in a proprietary wavetable generation and manipulation language.

Interpolation: Hive provides 4 different algorithms for interpolating between wavetable frames: switchcrossfadespectral, or zero phase. The appearance (and CPU usage) of waveforms can differ significantly, depending on the chosen interpolation. The spectral and zero phase modes shift the relative phases of partials differently, while the switch option only shows non-interpolated waveforms

Function Generators: Hive’s Function Generators combine simple envelope functionality with LFO, slew limiter (a.k.a. envelope follower) and gate control. Each of the three outputs has its own ‘crosshair’ you can drag & drop onto any modulation target, onto the Scope or even onto the modulation matrix source fields. Triggered and/or modulated by the LFOs, the Shape Sequencer and each other, Hive’s Function Generators can create some truly mind-bending motion effects!

Arpeggiator You can select up to 3 octaves range, 6 different direction options, and 4 for the order. Additional features are Restart, which sets the number of notes the arpeggiator will play before jumping back to the beginning, and ClockDiv, which slows the arpeggiator down relative to the sequencer.

Sequencer The sequencer has 2 different modes, one of which lets you send control signals (CC) without triggering any notes. Like the arpeggiator, the sequence will run whenever one or more notes are played, and will stop when all notes are released. In record (REC) mode you can enter individual notes on your keyboard or even capture the output of the arpeggiator.

* About Linux: Before purchasing, please be aware the Linux versions of our plug-ins are still considered beta. While the plug-ins are stable, we are not able to provide the same level of support for these products as we do for the macOS and Windows versions. Support is provided via the Linux and u-he communities on our forum

 
 

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Features:

    • NEW in v2.1.1: Improved resource management for better performance
    • Low CPU usage, 3 different synth engines
    • 2 oscillators with standard waveforms or 2D wavetables, up to 16x unison, tunable sub-oscillators
    • Drag & drop modulation assignment
    • 12 x 2 modulation matrix slots with modifiers for curvature, rectification, quantization, sample & hold, slew rate
    • 4 user-definable XY control pads
    • Unique 8-step shape sequencer with 4 independent outputs
    • Arpeggiator, step sequencer with real-time recording
    • Scale quantizer with pre-defined list of scales
    • 2 function generators which can serve as extra envelopes, gate generators, LFOs, slew limiters
    • 7 rearrangeable effects: distortion, chorus, delay, phaser, EQ, reverb, compressor
    • Panel presets for oscillators, filters, envelopes, LFOs, sequencer, FX and modulation matrix
    • Solo buttons let you audition individual oscillators and filters during sound design
    • Scope to view the audio output or any modulation signal, with freeze option and zoom controls
    • 2400+ NKS-ready factory presets by some of our favourite sound designers, many more available online
    • Resizable UI from 70% to 200%
    • Alternative Izmo skin
    • Microtuning support (.tun files)
    • NEW in v2.1: Support for Oddsound MTS-ESP
     
     
IMPORTANT: The current version of Avid’s toolkit for building AAX plug-ins is not compatible with the Apple SDK needed to build plug-ins for Apple’s new ARM/M1 processors. We are therefore not able to provide updated AAX versions on macOS, neither for Intel CPUs, nor for Apple M1. If you’re a Pro Tools user on macOS, please continue using the previous version of Hive 2 for the time being. Once the AAX toolkit supports Apple’s M1 processor architecture, we will provide new AAX versions for macOS, with support for Big Sur and both Intel and Apple M1 CPUs.
 
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